Sound Shapes Spa

Shadow complex remastered ps4 release date. That’s the case at Sound Shapes, a medical spa in the North End that offers noninvasive, fat-reducing treatments using an ultrasound device that’s rubbed in circular motions over the skin. Opened nearly a year ago and owned by a former nurse, Sound Shapes employs a technician - a former marketing manager with 15 hours of manufacturer-provided training - who performs treatments for $795 each. Clients usually opt for three treatments on trouble spots such as underarms, the belly, thighs, or buttocks.

ReSITE's RESONATE conference was held at the MAAT Museum in Lisbon, Portugal. Image © Joel FelipeWhat is the role of and acoustics in the work of leading architecture practices? In February this year, and in collaboration with Meyer hosted, a conference focused exclusively on the intersection of architecture and sound.of, 's, Michael Jones from, the founders of Meyer, and the pioneer of sound art spoke with and Canal 180 at Museum in Lisbon,. Below are the 4 episodes in the series, where they discuss the role of sound in designing cultural venues and concert halls and the changing role of the architect in an age of specialization. RESONATE A Conference on Architecture, Art and Sound by MAAT and reSITE in collaboration with Meyer Soundand partner on a Conference on Architecture, Art and and will bring world’s best creators of sound spaces and acoustic experiences to. During a one-day international event in collaboration with Berkeley, California’s Meyer, we will be thinking about sound and space with architects of the most fascinating contemporary music and culture venues and designers of intriguing sound environments. Artist-led tours, innovative technologies, demonstrations and performances will be part of the event, on top of keynote lectures and discussions with editors from leading global media.

Aug 08, 2012  Beck's first song on the PSN game Sound Shapes. Also, the first video in the 'Awww Sheeee, TurboMan got himself a Game Capture device' series. Dragon saga steam. So I'm testing that out. Sound Shapes, LLC specializes in skin care and rejuvenation services. The business services include but are not limited to skin care, facial treatments, hormone.

Early Bird registrations are open until January 15 for this one-of-a-kind event for architects, artists, engineers and anyone interested in how sound interacts with architecture. Jenny Chen performing under Domo at the Tippet Rise Art Center, 2016. Design by Ensamble Studio (Anton Garcia-Abril and Debora Mesa). Photograph by Iwan Baan.With Argeo Ascani, Anne Guthrie, Zev Greenfield, Margaret Anne Schedel, Elaine Sisman, Emily Thompson, and Peter ZuspanModerated by Willem Boning and Curt GambettaPerformance by Daniel NeumannIn architecture, spatial thinking is at the core of the design process. In music, however, space is often considered a surface effect, a veneer of “good” or “bad” acoustics that is applied to sound rather than grounding it. But music is inherently spatial. As it travels from a source to our ears, music is transformed by the air, the surrounding architecture, and the shape of our own bodies.

A number of musicians from across time. Buildings and cityscapes – or the lack thereof – change the way we hear significantly. Acousticians and acoustic are often hired to solve problems with leakage, but few people consider the difference between a shout across a city block and the same shout down a closed hallway. In this, the differences in sound quality in various environments are compared, as the “Wikisinger” performs the same song in 15 places.Cycling between places like a cathedral, a field in front of oil naves, a tunnel, an abandoned attic and a silence chamber, the acoustic differences between each space are made clear as the song reverberates or lands flatly against the walls surrounding it.

Splicing and augmenting the different sounds of each place, the singer creates a kind of orchestra of architecture, inviting listeners to take a second to hear the buildings around them. Was founded in 2014 and aims to rethink the presentation of architecture, highlighting its qualities and diversity, and create a relevant discussion about how it affects - and is affected by - our way of being in this world.

CAFx is a platform to discuss and display ideas within the architectural world through a public program of talks, film, performances, workshops, seminars and exhibitions in collaboration with different partners primarily in Copenhagen but also in the cities of Aarhus and Aalborg. With their Moscow Metro proposal, Variant Studio attempted to design 'the world's quietest metro platform'. Image Courtesy of Variant Studio'During the Middle Ages, smell was the unspoken plague of cities,' writes New York Times architecture critic. 'Today it is sound.' In his latest article, entitled ',' Kimmelman breaks down an often-overlooked element of architectural design, explaining how space shapes sound, and how sound shapes our experience of a space - and imploring architects to put more thought into the sonic environments created by their designs. © James Ewing OTTOThe first tenant has moved into the, making Monday, November 3, the official opening of the tallest building in the Western hemisphere 13 years after the tragedy of.

The “extraordinary moment was passed in the most ordinary of ways,” described the, as employees of Conde Nast entered into the white marble lobby (taken from the same quarry that produced marble for the original twin towers) and headed straight to the elevators to start their work day.To celebrate its completion, renowned architectural photographers and took it to the sky to capture the Center in all its glory. The images, after the break. The inside of the New York Guggenheim Museum. Image © Flickr CC User Fernando CarrascoThere are many forms of architectural representation - from to construction drawings to photographs - but they all privilege vision over any of the other senses.

This problem has perhaps only been exacerbated by the internet, which has made it easier to 'experience' buildings from afar, to the detriment of four of the five senses.Now though, Karen Van Lengen, the Kenan Professor of Architecture at the, has created, a website that aims to redress this imbalance. In collaboration with artist James Welty and musician Troy Rogers, Van Lengen has used sound recordings of iconic architectural spaces to create synaesthetic animations and musical compositions of the ambient noise there.Read on after the break for more about Soundscape Architecture. The syn chron space by Carsten Nicolai. Image Courtesy of artcentron.com“The modern architect is designing for the deaf.” Canadian composer R. Murray Schafer makes a valid point. 1 The topic of sound is practically non-existent in modern architectural discourse. We, as architects, think in terms of form and space; we balance scientific understanding and artistic vision.

The problem is, we have a tendency to give ample thought to objects rather than processes and systems. Essentially, our field is ocular-centric by nature. So how do we start to “see” sound? And more importantly, how do we use it to promote health, safety and well-being? The GSA has announced that Skidmore, Owings, & Merrill have been selected as the architects of the new Federal Courthouse, which will house the U.S. District Court, Central District of, and the U.S.

Marshals Service. The architects beat out to win the $318 million project.According to, 'The new 550,000-square-foot building will be a sustainable, cost-effective, state-of-the-art court facility that includes security upgrades that are not available in the current 312 North Spring Street courthouse.' The site, located at 107 South Broadway (down the street from, ’s City Hall, and the ) has been dormant since 2007; although a $1.1 billion design by was selected soon after, it was abandoned when Congress slashed the GSA's construction budget. The GSA considers the approval of the new redevelopment plan a 'major milestone.' More info and images, after the break. Photograph by Jeffrey Gray Brandsted / © Carlito CarvalhosaThe space of sound created by on exhibit at until November 14, 2011 is a sublime environment of billowing white fabric and the white noise of the atrium reflected upon itself.

The psuedo-boundaries established by the translucent material that hang from the ceiling create a confined space of light and ambient sound – fleeting and ephemeral. Upon entering the exhibit, you pass an array of speakers affixed to the wall. They are emitting a low hum – the sound of voices and echoes that are distant, yet recognizable. It is unclear at first from where these sounds are originating, but behind the fabric bodies are drifting in and out of view. The curtains, which are constantly swaying, direct you in an ellipse to the center of the space where a single microphone hangs, picking up the noise within the exhibit and sending them to the dozens of speakers that hang at intervals inside the curtains, along the walls of the exhibit, and up through the galleries at the mezzanine levels that overlook the atrium.