Atlantis Evolution Lost Of Cursor On Start Up Windows 10

' is a song by American rock band, which consists of lead singer, as well as the band members of. It is the first single and the second track from their debut studio album, it was released through on August 18, 2009. An official music video for the single was released on September 8, 2009, directed by; the song talks about Bennington's past problems with addiction, similar to many of the lyrical themes on Linkin Park's debut album. Bennington has stated in an interview with MTV that 'It's a song about questioning your authenticity. I do that every once in a while.

Disney crossy road toy story. Settings keep resetting. The problem with settings is that they are saved to Atlantis3.cfg, but are then being read from Atlantis4.cfg, due to a typo(?) in the.exe.

MTV's described the song as 'plenty dark' but 'not pitch-black', as well as saying 'Lyrically, the song details Bennington's slow climb back into the light — a climb that started with some serious self-discovery.' The song was rumored to be on the, which features Linkin Park's '.Bennington confirmed the rumor, however Bennington said he decided not to include it. The song was used as the theme song for TNA Bound For Glory 2009 PPV; the song was recorded live during Linkin Park's encore at the 2009 in and released free via for those who had downloaded the Sonisphere EP, which featured other artists who performed at the festival:, The Used,. A music video was filmed for 'Crawl Back In', along with a video for 'Let Down'.

Both videos were directed by P. Brown; the video was premiered on October 16, 2009 in. It was filmed in; the video shows the band playing the song on a rocky area where huge broken statues of people are buried. Every member of the band is seen individually; the statues refer to the people which Chester fears of becoming, the theme of the song. In the end of the video, Chester is seen standing inside a small triangle shape hole, the logo of Dead By Sunrise.All tracks are written by, and Anthony Valcic.

Live tracks recorded at in on July 30, 2009. Coffman is a former American football tight end.

He played college football for the, earned consensus honors, was recognized as the best college tight end in the country, he was chosen by the in the third round of the. Coffman was born in and played high school football at Raymore–Peculiar High School in nearby Peculiar. Coffman had a great high school career receiving passes from his younger brother Carson, he earned first-team all-state honors three times and was a two-time first-team all-district and all-conference pick. During his senior year in 2004, he was named conference player of the year and won the Simone Award after catching 41 passes for 886 yards and 16 touchdowns, he was a standout basketball player, earning first-team all-conference honors in 2003 and 2004. Coffman attended the University of Missouri, where he played for coach Gary Pinkel's football team from 2005 to 2008.During his freshman year in 2005, he had one of Missouri's best seasons for a tight end. He finished the season with 47 receptions for 503 yards and 4 touchdowns, earned First-Team Freshman All-American honors.

Coffman had an amazing 2006 campaign leading all Big 12 tight ends with 58 catches for 638 yards and nine touchdowns; because of his great season he was awarded First-Team All-Big 12 and was a finalist for the. Although not matching his 2006 season he still had a great 2007 season finishing with 52 receptions for 531 yards and 7 touchdowns; because of his play he was a second-team All-Big 12 selection and again was a finalist for the John Mackey Award. Entering the 2008 season he became Missouri's all-time leader in receiving touchdowns with 20, third in receptions with 156 and seventh in receiving yards with 1,664; as a senior in 2008, he won the John Mackey Award, given annually to the nation's best tight end. He became the first player to win the award.He had 90 receptions for 10 touchdowns. John Mackey Award Holds numerous Missouri Tigers team records Consensus first-team All-American Coffman was drafted by the Cincinnati Bengals in the third round of the 2009 NFL Draft. On December 9, 2009, Coffman was placed on season-ending injured reserve due to a left ankle injury, he finished his rookie season being inactive for all 12 games.

On September 4, 2010, the Bengals waived Coffman and they re-signed him to their practice squad the next day. A year he was waived on September 4, 2011, signed to the Bengals' practice squad the following day, he was not signed to the Bengals reserve list following the 2011 season after his practice squad contract expired. On February 21, 2012, the signed Coffman as a free agent. On August 6, 2012, Coffman was waived.

On August 11, 2012, the signed Coffman and two weeks on August 25, he was waived. Coffman was signed to the Falcons practice squad on September 2, 2012.Coffman was signed to the Falcons 53-man roster on November 13, 2012.

He was released at the end of the Falcons 2013 season. Coffman signed with the on August 6, 2014.

Although Coffman played well in the preseason, catching six passes for 107 yards and a touchdown, he was released by the Titans on August 30, 2014; the Titans resigned Coffman on September 23, 2014. On November 9, 2014, after a, Coffman ran to the opposing team's sidelines and knocked Assistant Coach to the ground. ESPN’s Jamison Hensley characterized the hit against the defenseless coach as 'shocking and appalling,' while Fox's described it as 'possibly the cheap shot of the year.'

Although Coffman claimed the hit was unintentional, he was fined $30,000 by the NFL. Coffman was re-signed by the Titans as a free agent on July 30, 2015.

On September 6, 2015, the Tennessee Titans waived Coffman, he was re-signed the next day. He was waived on October 24, 2015.On October 26, he was re-re-signed by the Titans. On October 31, Coffman was again waived by the Titans. Coffman was signed by the on December 1, 2015 to add depth to the position after was placed on IR with a season ending knee injury. Coffman was waived by the Seahawks on December 8, 2015. On December 15, Coffman was re-signed by the Seattle Seahawks. Coffman scored his first Seahawks TD in the final regular-season game rout against the Cardinals on January 3, 2016.

Coffman signed with the Colts. On September 4, 2016, he was released, he was re-signed by the Colts on October 18, 2016. He was released on November 1, 2016, his father Paul played tight end for the and from 1978 to 1987.

His brother Carson was the starting for the Kansas State Wildcats. Graduated with a degree in business from the. Poppy Mountain, 2,311 feet, sometimes identified as Pease Ridge, its northwest descending crest, is a prominent peak in the of western.

The mountain is located in and is traversed by the 35 mi Taconic Crest trail; the overgrown summit is wooded with northern forest species. The summit and west side of Poppy Mountain is located within the town of Hancock and the eastern slopes within, it has several sub-peaks: Pease Ridge, a descending northwest ridgeline with a prominent knob 1,870 feet, two low spurs off the main summit 1,930 feet and 2,250 feet, an eastern summit 2,150 feet confused with nearby Potter Mountain in older hiking guidebooks.

The Taconic Range ridgeline continues north from Poppy Mountain as Potter Mountain, south as Honwee Mountain, west across the valley as; the west side of the mountain drains into the. The east side drains into Daniels Brook and Churchill Brook, thence into Onota Lake, the, Long Island Sound.Massachusetts Trail Guide.:. Commonwealth Connections proposal PDF download. Retrieved March 2, 2008. AMC Massachusetts and Rhode Island Trail Guide. Boston: Appalachian Mountain Club.

'Greenways and Trails' Massachusetts DCR. Retrieved February 22, 2008. State Forest map Pittsfield State Forest. Massachusetts DCR. Is a 100,000 radio station in.

It is a country music formatted station owned by, Inc. KKSY-FM signed on February 27, 1963, as WMT-FM at 96.5 FM with an and classical music format. There were 90-minute classical music segments in the morning and evening with regular programs of and music from musicals; some of those early announcers were Keith Webster, Bill Dutcher, Don, Bill Grubbe, Jim Wicks as well as other WMT announcers who took the helm of hosting on FM. In the early days, programming was separate from WMT radio but in the late 1960s, WMT-FM started simulcasting the 15-minute newscasts of WMT AM 600 several times a day. In the 1970s, it became a full-time ' station before adopting an adult contemporary format in the early 1980s in an era when many beautiful music stations went to a or more contemporary format.

WMT-FM's studios have been located at Broadcast Park on Collins Road in Cedar Rapids, along with its AM sister station WMT and TV station, since it signed on.Until the 1970s, the studios of WMT radio was located on the fifth floor of the historic building in downtown Cedar Rapids. It was one of the few stations with a callsign beginning with W located west of the; the station was known for their 'time weekends' and long-standing tradition of being involved in the Cedar Rapids community. The station hosts 'Uptown Friday Nights' every Friday night in downtown Cedar Rapids; the station joins up with WMT for special promotional events, simulcasts during severe weather conditions.

WMT-FM ended its longtime hot adult contemporary format on December 27, 2011, when Clear Channel transferred the country format from KKSY. Official website Query the FCC's FM station database for KKSY Radio-Locator information on KKSY Query Nielsen Audio's FM station database for KKSY.

By Jenny100Atlantis EvolutionAtlantis Evolution is the first in a projected series of Atlantisgames made by Atlantis Interactive Entertainment. The developmentteam for Atlantis Evolution includes among their members some of thesame people who worked on the original three Atlantis games from thenow-defunct Cryo Interactive Entertainment. Although Dreamcatcher/TheAdventure Company makes it clear that Atlantis Evolution is thestart of a new direction for their Atlantis games, there arecertainly some resemblances to the earlier games. The graphics havea somewhat different 'look' to them, being less 'naturalistic' thanthe Cryo games. But the game interface will be familiar to anyonewho's played the earlier Atlantis games.

And since the previousAtlantis games all play so differently from one another, you couldalso say that Atlantis Evolution is continuing the tradition of itspredecessors. (There is even an Atlantis4.cfg file in the gamefolder, which suggests another tie with the previous three Atlantisgames.)The story begins in 1904 with the hero, photographer Curtis Hewitt,returning home from a trip to Patagonia aboard an old wreck of aship called the Lemuria. The ship goes down in a storm and Curtissurvives in a lifeboat, only to be sucked down a whirlpool. Whathappens next has to be seen to be believed, so I won't spoil it.

Butsoon afterward, Curtis ends up in 'New Atlantis' and must find a waynot only to get back home, but to free the Atlantean population fromtheir terrible bloodthirsty 'gods.' InstallationAtlantis Evolution comes on four CD's and installs completely to thehard drive. There is no need to have a CD in the drive in order toplay the game. Congratulations to the developer and publisher forimplementing this convenience.ControlsThe control scheme will be familiar to anyone who has played theprevious Cryo Atlantis games.

Atlantis Evolution uses a first personpoint of view for the interactive parts of the game, so you'll onlysee your character during cut scenes and conversations. Like theearlier Atlantis games, it uses a node based movement system with360° panning available at the nodes. You are also able to pan upwardand downward. You can't look directly up or directly down, but thereis a good range of movement. The game uses fixed cursor panning andthere is no option for edge panning.When forward movement is possible, the movement cursor will appear.It is the same rounded arrow cursor used in earlier Atlantis games.Left-clicking on the cursor will move you to the next node. Movementis instantaneous with no transitions playing between nodes.Right-clicking will bring up the inventory along the bottom of thescreen.

Hovering your cursor over inventory items will produce atooltip type description of them. You can also examine objects ininventory by right-clicking on them. A full screen view of the itemwill appear. A left-click will return you to the game screen.Left-clicking on an inventory item will pick it up and attach it toyour cursor. A right-click on the game screen will close theinventory and allow you to use the inventory object. Some inventoryobjects can be combined with other inventory objects.Exploring your screen with your cursor may reveal pulsating hotspotswhich indicate potentially interactive locations. If a hotspotappears dead, it may be that you don't have the inventory item touse on it yet.

Your character will often comment to cue you in onwhat might be needed.When you can speak with another character, a hotspot with two headsrotating around each other will appear if you move your cursor overthe character. Conversation choices appear as a group of littlesquare icons that you can click on.

These icons are small picturesof the subject of the conversation, which can be a character, anobject, or a location. This conversation system will be familiar toplayers of the previous Atlantis games.The controls for the arcade games will vary. Almost everything canbe done by mouse, but with some games it may be preferable to usethe keyboard arrows.Menus and OptionsIencountered the first puzzle immediately on starting the game: aMystery Meat game menu - obscure symbols in shades of blue with notext. I had a moment of trepidation, wondering if my video card washaving troubles rendering the text.

But no, when I hovered my cursorover certain alien symbols on the screen, a light bar would passover the symbol and a tooltip-type description would appear. In myopinion this is bad design. I think a control menu should be assimple and obvious as possible. It is all very well to be artisticwith your game menus, but the art should not get in the way offunctionality. The entire contents of the menu should be viewable atonce, without having to explore the screen with your cursor.

Imagineif every menu on your computer were set up like this. You'd missseeing all sorts of options and controls. Just because the optionsmenu of a game is more simplistic than Windows controls is no reasonto make it a pixel hunt. And the gamer should never have a moment ofwondering if their video card isn't displaying the text.When you first start the game, you will be presented with a menuwhere you choose whether you want to play as Player 1, Player 2,Player 3, Player 4, or Player 5. You will probably have to load aplayer before you can use the Escape key to access the Save/LoadMenu and Options Menus.As far as I could tell, you are allowed an unlimited number ofsaves. Saves include a small screenshot of the location where yousaved along with the date and time.

You can't name your save. Tosave your game, you click the Escape key, locate the Mystery Meattooltip that reveals the place to click if you want to save, andclick it.

Then click on a check mark to indicate that you do indeedwant to save, or on an X to indicate you changed your mind. Thenlocate the Mystery Meat tooltip that says Return to Game or theMystery Meat tooltip that says Exit Game, depending on which youwant to do. The process is similar for loading a game.The options menu is also Mystery Meat and it isn't at all clearwhether you are toggling something on or off.

The box with thelittle '+' in it will give you a cross hair if the '+' is visible inthe box. You can choose to play in 16-bit or 32-bit color. There isan option to invert mouse orientation. A languages option only hadEnglish as a choice in my North American version of the game.(Perhaps European versions will have options for multiplelanguages?) There was an option to toggle 'smooth mode' or 'nosmooth mode.' (I can only guess at what that meant. I just stuckwith whatever the default selection was.) Subtitles are toggled onwhen you see indecipherable letters in a little box, off when thebox appears empty. Come on now, game designers.

I don't want to haveto play guessing games in the options menu. I appreciate all theseoptions, but why make their selection so obscure?The volume controls are available through a Sound Levels Menu thatis accessible from the Save/Load Menu (not the Options screen).There are separate volume controls for Voices Volume, Music Volume,Sound Effects Volume, and Overall Volume.GraphicsThe graphics play in 1024x768 and are very detailed and colorful.The game is jam-packed with different kinds of animations. Theunusual plant life in forest areas, which is somewhat reminiscent ofvarious underwater flora and fauna, undulates and sways as if itwere underwater. Spores and bubbles float upward from colorful fungiand mushroom-like plants. There are colorful birds, butterflies, andother insects flitting and buzzing around everywhere. Snakes slitheralong the ground and lizards skitter up trees.

Most areas have wateranimation and it looks pretty convincing. The world is alive withanimations.Not all areas are 'pretty.' The game starts out with your characteron the ship Lemuria, as decrepit a rust bucket as you could everhope to see. The corrosion is detailed and there are even someanimations, like the flicker of Curtis' candle and the smallcircular porthole of a window in Curtis' cabin constantly fallingopen because the catch is broken.The cut scenes that occasionally play in the game are realeye-catchers. The scenes of the storm at the beginning of the gameare dramatic and get the game off to a promising start.

Nearly allthe major cut scenes are of similar high quality. The animation ofthe characters isn't quite up to the level of the animation of thelandscape, though in this case that isn't so important. Thecharacters are cartoony rather than realistic and can get away withmoving in slightly unrealistic ways. One place where the designersappear to have taken shortcuts with the character animation isduring conversations, when the characters use the same series ofgestures each time they speak. Lip synch does not match up in theEnglish version of the game, though this is not a major problem andis perhaps to be expected with a game that was developed in France.Also the character models for the guards come in two varieties,those with helmets and those without. The ones without helmets lookidentical to one another. I don't know why this would be the caseunless they were clones.

But the ex-guard Chel looked different, sohe at least wasn't a clone.SoundCare was taken to match the high quality of the visuals withappropriate background sounds and music. The Lemuria had the soundof the storm outside, the creaking of the wood, the exhausting ofsteam, and the sound of the window slamming shut. The forest had thesounds of birds and insects. Water sounds were also varied andespecially effective in the cave area. Music, when it played duringinteractive parts of the game, tended to blend into the background,though at times it was obviously meant to build tension or signalthe presence of danger. My favorite music was toward the end of thegame.

The mysterious, somewhat ominous music that played in thegods' living quarters matched the rich satiny colors and thestrangely alien, yet opulent quality of the environment. Somehow itgave me the impression of a mausoleum, which was not inappropriate.Like the character design, voices were also somewhat cartoony. Mostof them were good in a cartoony sort of way.

But the voice of thelittle boy sounded like it would have been more appropriate for atalking frog than for a little boy. If independent game developerson a shoestring budget can manage to find children to voice theparts of children, I don't see why it should be so difficult for agame company. If for some reason a child is not available, then awoman with a boyish voice could do the part. But an adult malespeaking in a strained falsetto is not an acceptable substitute.I'm not sure why the developers had the game take place in 1904,because Curtis Hewitt's accent sounded very modern. I also wonderabout the 'modern' speech of the gods, especially the younggoddesses Kama and Sama, whose slang expressions would not come intobeing for another hundred years or so. I guess we're not supposedto think about this sort of thing, since if the game was'realistic,' the Atlanteans and their gods would all be speakingAtlantean and Curtis wouldn't be able to communicate with them atall.PuzzlesSounds pretty good up to this point, doesn't it? A few niggles, butnothing critical.

Well now comes the bad news. The creators ofAtlantis Evolution made some really regrettable design decisionswhen it came to puzzles (or maybe I should call them 'challenges').You encounter death early in the game, and there's really no way toavoid it.

You have to endure it until you can figure out what you'resupposed to do to avoid it, or outrun it. Even though the gameautomatically restores you, it gets very tedious because of itsfrequency.The worst part of the game (to my mind) isn't the firstdeath-dealing area, but the area in the forest after you leave thevillage. Every few seconds guards appear and shoot you. You'll betrying to search the environment for inventory, not even sure whatyou're looking for, and control will be wrested from you by anautomatic cut scene showing the appearance of a guard and yourcharacter writhing on the ground after being zapped by some sort ofzap gun. Although you'll be restored, you won't be where you werewhen you were zapped. So you'll have to hotfoot it back over to thenode where you were searching and furiously pan around trying tolocate inventory before you're spotted and zapped again. Alas forthose who have a tendency to develop motion sickness in games thatuse fixed cursor panning.

Usually I don't have a problem with suchgames because I can pan slowly. But you can't do that in this partof the game. All you can do is grit your teeth, hold onto yourstomach and hope for the best. Keep a bucket handy. Increasing theaggravation level is the screechy mechanical voice that you have toendure during this desperate inventory search. Such tired phrases as'Halt, deviant!' 'Grovel immediately, deviant.

Lies of astaroth cards list. You will berealigned!' 'Deviancy is death! Do not move during targeting!' 'Weare here to help you!' 'You have left the Beaten track! Report forrealignment!' Will get on your last nerve as they put an end to yourexplorations until the next die/restore.

They will make you want toput your foot through your monitor and spout words you didn't knowwere in your vocabulary. It's just terrible. Bad, bad, bad. I don'twant to see this kind of thing again. Ever.There is also a part of the game that reminded me very much ofcertain parts of Atlantis: The Lost Tales. It involves timing themovements of guards and taking actions according to their movements.If you mess up, it's 'Stop, deviant' time again.

Your nerves,already frayed and sensitized by similar assaults earlier in thegame, will go into paroxysms. Your monitor will tremble with fear asyour foot looms ever closer. My advice is to save yourself twentyheadaches and the cost of a new monitor and consult a walkthrough toget through this bit as quickly as possible.Fortunately, the whole game is not like this.

But there are someinventory searches that will probably cause other problems. Rememberthe star hunt puzzle in the Maya area of Atlantis II (BeyondAtlantis)? There's something very similar in this game. To be sure,the forest is much more colorful and fanciful than the jungle inAtlantis II, and you don't have nearly as many items to find.

Butthere is the same mazelike quality and the confusion of 360° panningwith sometimes more than two exit points from a node. It's hard totell where you've been because the flora is so similar throughoutthe forest. Although it wasn't as difficult as the star hunt inAtlantis II, those who could not stand that puzzle will likely haveproblems with the forest in Atlantis Evolution as well. At least itwasn't timed and no guards molested you during your search.And now we come to the mini-games. They really do not match the restof the game. It's kind of like finding a slider on the door of abathroom.

The previous Atlantis games were relatively untroubled bythis type of thing. Atlantis: The Lost Tales had the rat catcher'spuzzle and the little game you had to play with the cannibal.

Butthe mini-games in Lost Tales had some connection to the people inthe game and their graphics matched the graphical style of the gameas a whole. This is not the case with the mini-games in AtlantisEvolution. To open doors and other locks you access an ornatecircular control panel and lo and behold there is this funny littlebrightly colored 2D arcade game there waiting for you. Now I'm suresome people would rather see an arcade game than a slider, but whyshould we see either one? Do you know anyone who plays adventuregames whenever they're in the mood for an arcade game?

I'm notparticularly good at arcade games. Actually I stink at them.

It tookme about 20 tries to get past the 'Monkey and the Boats and the BigBacteria' game (a variant of Frogger). And then there's 'Bombs andLasers' where you fly a teeny little 2D Atlantean airship, droppingbombs and shooting lasers at little people who are shooting arrowsat you from the ground and gods that fly through the air shootingevil pink, yellow, or green spots at you. Not all the mini-gamesdepend on your reflexes. There was also the 'Blast the Other Guy'sVolcano First' game, which was more about aiming than aboutreflexes.

It almost got to be a running joke in the game. Whenever Ihad to access one of those circular control panels, what newsilliness would I encounter? You want crates? Here's the original 2DSokoban - the easiest, most basic orientations you can find. Andimagine my surprise to see a Tower of Hanoi puzzle with a whoppingtwo disks to sort. Successive Tower of Hanoi puzzles would add adisk.

It was like a trainer series. If the easiness of the Sokobanand Tower of Hanoi puzzles is any indication, I think the mini-gameswere all meant to be very easy versions. But the game designersdon't seem to have taken into account the age and inability of someadventure gamers, who play adventure games instead of other genresbecause they hope to avoid physical 'challenges.' Now lest you think Atlantis Evolution was all silly annoyances, thelast part of the game, starting from when I finally reached thegods' place of residence, played much more like an adventure gameand was unquestionably the most fun. I was no longer attacked byguards and could devote my attention to exploring and discoveringthe secret of what lay behind the situation at New Atlantis. Therewas more dialogue in this part of the game and I found a lot of itto be very entertaining in a camp sort of way. Also, the bulk of thestory unfolded in the last part of the game.

I only wish the rest ofthe game had been like this last part.